Only two more to go for Chazz and then he can start sending invitations to the
grand release party of his 20th album. A prolific writer and
recording artist, we can enjoy new music from Chazz practically on a yearly
basis, and as long as he keeps making observations of different twists and
turns in relationships, we can rest assured that soon we can listen to a new
episode of his “soul soap opera” in the most positive meaning of the
expression.
On his latest CD, Can I Talk toYou(www.soulklub.com), moods vary from anger on a
mid-tempo funky number called I’m Your Victim and frustration on a
metronomic slow burner named Can I Talk to You to the sense of relief on
the serene and sunshiny I’m over You and to optimism and joy on a downtempo
number titled Rock Yo Body.
About the background and the concept of this album, Chazz reveals that
“social media shorts on narcissistic and or toxic relationships. I was looking
for a way to expand how we or I write about romance, how to take the theme of
love that most crooners sang about in the day and modify it in to how we
address dating in this age of social media. Almost 70 years ago Frankie
Lymon and the Teenagers introduced a change in the way we sang our silly
love songs. How? By asking a real question: Why Do Fools Fall in Love?
For a time, writers accepted an unofficial challenge to pen songs that said
more than ‘I love you’ or ‘I want you.’ Don’t get me wrong. I like silly love
songs as much as the next person, but I also appreciate writers who serve up
material that helps us tackle the universal reason why we create romantic music
– relationships.”
A slow and beautiful swayer called Hey Baby, a rhythmic ballad titled Nothing
but You, as well asthe melancholic How Can I Get Closure and
the sorrowful Code for Goodbye all reveal that this time Chazz is
musically more in a smooth state of mind. Chazz: “I recorded several
hard-edge rock slammers but they didn’t compliment the CD’s overall feel.
Lyrically they were spot-on - in fact maybe too much – but musically they
altered, offset, the mood, the groove of the project.”
Chazz wrote all twelve new songs on the set, albeit on the peaceful and dreamy Turn
and Walk away he shared the production and writing with his son, Barope
“DJ-Payday” Dixon. Personal top-three on this CD consists of a gently
flowing ballad called Love Don’t Mean Anything, which could have
excelled as a 1960s pop song, the first single titled I Can Make You Feel
Good and the concluding sweet and tender ballad named You Look So
Beautiful. Chazz: “Music is therapy, emotional therapy. I hope this
CD is that and more for you.”