GLENN JONES - What You Gonna Do / PEABO BRYSON – Don’t Make Me Cry /
CHRISTOPHER WILLIAMS – Used To Be / VESTA – One More Bridge To Cross /
MAYSA – I’m Changing / BOBBY LYLE – Brazilian Heat (Inst) / JON LUCIEN –
To Be With You / ROY AYERS & KENNY GARRETT – Urban Jungle / DENISE STEWART
& DUKE JONES – U & I / GEORGE BENSON – Pages / MAYSA – Stay In My Heart /
LOUIS TAYLOR & NICHELLE HOLIDAY – Sheba / ROY AYERS & PUCHO & THE LATIN SOUL
BROTHERS – Pier 69 (Inst) / RENE MCCLEAN & CHRIS ALBERT – Get Up On It (Inst)
/ JAZMYN – You Don’t Have To Say You’re Sorry
This CD is essential, there’s no two ways about it. There are more quality artists involved in
this project than I can shake a wireless mouse at, and all bring with them their own unique
talents to collaborate in this superb album. Helping oversee this exciting project is no less
than Norman Connors and Jacques Burvick, so the connoisseurs among you will have
some basic idea of what to expect from this feast of talent. There is a flavour to match every
taste here, and no stone has been left unturned in finding the best artists to support the
talented vocalists.
We have strong soul compositions, one R&B track for the kids and some
very strong jazz-fusion flavours too. The first artist that really got my juices flowing was
Glenn Jones with what has to be his best stepper for years and years. His inclusion
is a wonderful soulful dancer called "What You Gonna Do" which is elevated from simply being
very good to excellent by the use of some smashing Rhodes keyboard that jolt us straight
back to Impromp2’s "You’re Gonna Love It" and beyond. Bobby Lyle and Chuck Cymone
add their skills to this, and Duke Jones and Mr. C himself produce the cut. Superb!
Talking of Impromp2 leads me onto the brilliant and astronomical vocalist, Peabo Bryson. Johnny Britt
wrote this classic, classy Peabo Bryson ballad and it is so typical of this man’s output.
This could be straight out of his "All My Love" album, it’s really that good. Another artist
that I really love is Christopher Williams. I fear that this strong, strong singer is
given a very lame "bling bling" track that should make fans of John Legend happy, but
does little for these seasoned ears. This is one awesome vocalist and I don’t think he is
being used to best effect here. I think I’ll dig out his debut 1989 album instead.
Vesta Williams has been quiet since her essential 1998 album for I.e Records, and her
Nick Martinelli penned "One More Bridge To Cross" carries on from this album very nicely,
thank you very much.
We all know and love this next Lady, and that is Maysa. Her vocal skills are out of this
world, and I have always believed that her skills are best employed on the right side of the pond.
Bob Baldwin and Porter Carroll, Jr have written "I’m Changing" and is as good as
any of the classier songs on her last, must-have, set for N-Coded music. There is an excellent
sax break through this and thanks go to Kim Waters for that, too. In fact, Maysa
returns later for an even more essential cut called "Stay In My Heart" that has Omar Hakim
on drums. Please do not overlook that track.
I have already mentioned Bobby Lyle. He acts as musical support throughout this set, but shines
in his own right on the essential Brazilian instrumental, "Brazilian Heat". It does start out a
bit computerised, and almost housey which was a bit of a shock, but it soon warms up and progresses
into a joyful, warm belter of a summertime jazz track. At this point, I think you will already
have an inkling on how essential this album is.
Well, all I have to say is had this album been a load of old rubbish up to this point the
following track alone would certainly make it worth a purchase alone. You know how much I love
Jon Lucien, but please do not think there is any bias towards this track because of this.
Toby Walker at Soulwalking had told me how great this song was, and boy was he right.
Today I think I have played "To Be With You" at least SIX TIMES. This has to be one of the
best and most essential records that this great, great talent has ever set to record.
The swirling strings, and the Latin instrumentation by Pucho & The Latin Soul Brothers
is sheer, sheer class and is pure heaven. This new, timeless classic – as that is what it is -
has Jacques Burvick’s fingerprints all over it. If this album is the only one you buy this month,
then to hell in a handbasket – just buy it on the strength of this alone if nothing else.
Roy Ayers and Kenny Garrett are also legends in their field, and the superb
instrumental, "Urban Jungle" proves that there is more to the jazz scene today that the lame
idiom of smooth jazz. EW&F drummer, Sonny Emory joins the band, as does
Paulinho Da Costa and none other than Alyson Williams on backing vocals!
Roy also appears with Pucho & The Latin Soul Brothers on the excellent "Pier 69" instrumental
and is another very strong slice of real jazz for 2005.
From jazzy numbers, then to a soulful number featuring an old Norman Connors acolyte,
Denise Stewart who joins Duke Jones. This is a quality outing for all concerned and
one cal tell that dear old Norman has his tight reins on the direction of this song.
An odd inclusion albeit a welcome one, is "Pages" by George Benson. This phenomenal
song was first released on Gerald McCauley’s own set back in the fall of 1999
and was one of the landmark songs on it. Not sure how it managed to get on here but
who cares?! I would like to see George come up trumps like this again in the near future
as his last album, frankly, stank. This proves that if you stick to what you do best –
great adult music – you cannot go far wrong.
Our final track is also well worth noting for a number of reasons. It is a breathtaking
reading of the old Patti Austin song "You Don’t Have To Say You’re Sorry",
and the music is so haunting that it defies description. Vocalist Debi Gilchrest
does great service to this song, and certainly has my ear even though I am not exactly a
fan of that particular song. I actually dreaded hearing this, but as usual my fears
were unfounded.