The Sonnettes: I Cried For My Last Time * /
Barbara Lewis: Think A Little Sugar / La Wanda William: Come Back To Me / Timmy
Shaw & the Sternphones: I’m A Lonely Guy / J.J. Barnes: Just One More Time
/ Leon Peterson: Everything’s Gonna Be Alright * / Marva Josie: You Lied /
Betty Lavett: Here I Am / Priscilla Page: My Letter / Laura Johnson: I Know How
It Feels / The Falcons: Oh Baby / James Lately: Tears Running And Falling From
My Eyes * / Melvin Davis: Wedding Bells / Gino Washington: Til The End Of Time
/ The Pyramids: Shakin’ Fit / Tony Clarke: It’s Easy * / The Pen Etts: That’s
No Way To Spend My Time / The Donays: Devil In His Heart / Charmaine: Don’t You
Know (How You Thrilled Me When You Kissed Me / The Volumes: Why / Geraldine
Hunt: It Never Happened Before / Harry Reid: Can’t We Get Together (One More
Time) / Vivian Collins: Answer Me / The Del-Phis: Nosey Folk *
During the last decade or so we’ve been
blessed with compilation CDs that have enlightened us on the budding Detroit
soul music scene in the late 1950s and early 60s. We’ve become more and more
aware of the rich music heritage and vibrant and varied sounds created in that
area. And we’re not talking about Motown now, but the music that was made
alongside and in addition to that company. Now as the 6th CD in
their fine Birth of Soul series U.K. Kent enlightens us even more
by way of Special Detroit Edition 1961-64. The release date is
March the 31th, 2017.
In the credits to the tracks on the set
many familiar names pop up, and we can enjoy some early efforts by such masters
as Ollie McLaughlin, Mike Hanks, Don Davis, Norman Whitfield, Dave Hamilton,
Johnnie Mae Matthews, Robert Bateman, Richard Wylie, Janie Bradford etc.
Some of these recordings were released on big labels like Atlantic, Wand and
Vee-Jay, but mostly on smaller ones like Ke Ke, Rose-G, Brend, Serock, Temple
and Becco. The CD was compiled by Ady Croasdell and Graham Finch wrote
the informative and detailed notes.
The set kicks off with an unreleased
track at the time, a gentle and sorrowful ballad called I Cried for My Last
Time co-written by Thelma Gordy and sung by the Sonnettes.
Charmaine’s Don’t You Know has a similar teenage agony feel to it,
whereas Laura Johnson’s I Know How It Feels is a more dramatic
and the Falcons’ Oh Baby a more gospel-infused ballad.
Besides the Falcons, you can spot other
familiar names. Think a Little Sugar by Barbara Lewis is a
mellow song and the b-side to her Hello Stranger hit, J.J. Barnes delivers
a soft dancer titled Just One More Time, while Marva Josie belts
out the fast You Lied. The swinging Here I Am by Betty Lavett
is another b-side, and in fact that’s how they spelt her name on the
Atlantic label in 1963. Also the tracks by Melvin Davis, Gino Washington and
Tony Clarke are all uptempo, even poppy dancers.
Uptempo pop sound is dominant also on I’m
a Lonely Guy by Timmy Shaw & the Sternphones and It Never
Happened Before by Geraldine Hunt, while with Leon Peterson’s
Everything’s Gonna Be Alright we slip into rock ‘n’ roll. Nosey Folk
by the Del-Phis – later the Vandellas – is a swinging jazz
number. To still add variety, there’s Vivian Collins’ bluesy Answer
Me and – more importantly - fledgling Detroit beat can be recognized on two
mid-tempo numbers, Tears Running and Falling from My Eyes by James
Lately and Devil in His Heart by the Donays. Overall, this
is feel-good music, perhaps a bit nostalgic, but fun and exhilarating... and
innovative (8).